Wednesday, April 17, 2013

NEW YORK: Online nonprofit InsideClimate News wins Pulitzer ...

? In a sign of a rapidly changing media world, a relatively unknown New York-based online nonprofit news site joined some of the country's most well-known media outlets in claiming a Pulitzer Prize, the highest honor in journalism.

InsideClimate News won the Pulitzer Monday for national reporting for its reports on problems in the regulation of the nation's oil pipelines. Founded five years ago, InsideClimateNews reports on energy and the environment. Writers Lisa Song, Elizabeth McGowan and David Hasemyer were recognized for a project that began with an investigation into a million-gallon spill of Canadian tar sands oil into the Kalamazoo River in Michigan in 2010. The reporters went on to look more broadly at pipeline safety and the particular hazards of a form of oil called diluted bitumen, or "dilbit."

"I think it's a very hopeful sign. I think it really shows the way the journalism ethos reconfigures itself as times change," said Sig Gissler, the administrator of the prizes.

"This is a different way for journalists to practice their trade and make a contribution," McGowan said. "The fourth estate has lost a lot. This is a way we're making a gain."

The Pulitzers, journalism's highest honor, are given out each year by Columbia University on the recommendation of a board of journalists and others. Each award carries a $10,000 prize except for the public service award, which is a gold medal.

The Associated Press received the award in breaking news photography for its coverage of the civil war in Syria.

The Sun Sentinel of Fort Lauderdale, Fla., received the public service award for an investigation of off-duty police officers' reckless driving, and longtime Pulitzer powerhouses The Wall Street Journal and The Washington Post were recognized for commentary and criticism, respectively.

The Star-Tribune of Minneapolis captured two awards, for local reporting and editorial cartooning.

Cheers erupted in the Denver Post's newsroom when word came that the newspaper had won the Pulitzer in the breaking news category for its coverage - via text, social media and video - of the movie theater massacre in Aurora, Colo., that killed 12 people during a midnight showing of a new Batman movie last summer.

The honor was bittersweet for some, and people teared up and shared hugs.

"We are part of this community. The tragedy touches us, but we have a job to do," said Kevin Dale, the Post's news director.

The New York Times' David Barstow and Alejandra Xanic von Bertrab won the investigative reporting award for stories that detailed how Wal-Mart Stores Inc. systematically bribed Mexican officials with millions of dollars to get permission to build several stores across the country. The Times' reporting spurred federal investigations.

The Times' David Barboza received the international reporting award for his look at a how a "Red Nobility," made up of relatives of top Chinese officials, has made fortunes in businesses closely tied to the government.

The Times staff won the explanatory reporting award for looking at the business practices of Apple Inc. and other technology companies and illustrating "the darker side of a changing global economy for workers and consumers," the judges said.

In the feature writing category, John Branch of the Times won for a gripping narrative of an avalanche that trapped 16 skiers and snowboarders in the Cascade Mountains of Washington state. Told through photos, video, graphics and magazine-style text, the piece was lauded in the industry as setting a new standard for multimedia journalism.

The paper's editors "view the wonderful bounty of prizes as a real tribute to the newsroom's excellence and dedication," Executive Editor Jill Abramson told the staff.

The AP's Rodrigo Abd, Manu Brabo, Narciso Contreras, Khalil Hamra and Muhammed Muheisen were recognized for "producing memorable images under extreme hazard" while covering the Syrian war, the judges wrote.

Their images depict the dazed and weeping wounded; a heartbroken man cradling the body of his bloodied, barefoot son; a sobbing, fatherless child; an 11-year-old aiming a toy rocket-propelled grenade.

AP Director of Photography Santiago Lyon called the winners "some of the bravest and most talented photographers in the world."

The same conflict was the subject of the winning entry in feature photography. Javier Manzano, a freelance photographer, won for an image of two rebel soldiers guarding their position as light streams through bullet holes in a nearby wall. The photograph was distributed by Agence France-Presse.

At the Sun Sentinel, reporters explored speeding by off-duty officers. The reporting led to suspensions, firings and police policy changes.

"It feels great to win for that story because it really changed things here for the better," Editor Howard Saltz said.

At the Star Tribune, Brad Schrade, Jeremy Olson and Glenn Howatt captured the Pulitzer for local reporting for examining a sharp rise in in infant deaths at day-care centers, reporting that spurred stronger regulation. Minnesota authorities reported last week that day care deaths have dropped significantly.

It was "really satisfying we had an impact," Schrade said.

Steve Sack, who has been at the paper for 35 years, won for editorial cartooning.

In opinion writing categories, Bret Stephens of The Wall Street Journal received the commentary award for columns on American foreign policy and domestic politics.

The Washington Post's chief art critic, Philip Kennicott, was honored for writing on the sociology of images. In one case, he focused on a picture of President Barack Obama and first lady Michelle Obama hugging, calling it a portrait of a modern marriage.

The editorial writing award went to Tim Nickens and Daniel Ruth of the Tampa Bay Times for a series of editorials that helped reverse a decision to end fluoridation of the water supply in Pinellas County, home to 700,000 people. Formerly the St. Petersburg Times, the newspaper is owned by the nonprofit Poynter Institute.

Adam Johnson's "The Orphan Master's Son," about a man's travails in North Korea, won the Pulitzer Prize for fiction.

Other arts winners included Ayad Akhtar winning the drama prize for "Disgraced," a play about a successful Pakistani-American lawyer whose dinner party spins out of control amid a heated discussion of identity and religion.

The history prize went to Frederik Logevall for "Embers of War: The Fall of an Empire and the Making of America's Vietnam," about Vietnam under the French.

Tom Reiss won the biography prize for "The Black Count: Glory, Revolution, Betrayal and the Real Count of Monte Cristo." He learned he won the Pulitzer while visiting the dentist, who waived the usual fee.

Sharon Olds' chronicling of her divorces in her 12th poetry collection, "Stag's Leap," won her the Poetry prize. "I'm in shock," she said Monday when reached by phone, adding that she was trembling and a "little weepy.

"And my eyes are very open and sticky."

The general nonfiction Pulitzer went to Gilbert King for "Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America." The book tells the story of a 1949 case, in which four black men were falsely accused of rape, and their attorney was Thurgood Marshall.

Caroline Shaw's composition "Partita for 8 Voices" took the music prize. The 30-year-old graduate student at Princeton University is also a violinist and a vocalist.

Associated Press writers Jake Pearson in New York; Jim Fitzgerald in White Plains, N.Y.; Brett Zongker in Washington; Alexandra Tilsley in Denver; Tamara Lush in St. Petersburg, Fla.; and Jeff Baenen in Minneapolis; and David Fischer in Miami contributed to this report.

Source: http://www.centredaily.com/2013/04/15/3580428/ny-times-wins-4-pulitzers-fla.html

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Obama: Boston culprits to feel 'weight of justice'

President Barack Obama speaks in the James Brady Press Briefing Room at the White House in Washington, Monday, April 15, 2013, following the explosions at the Boston Marathon. (AP Photo/Charles Dharapak)

President Barack Obama speaks in the James Brady Press Briefing Room at the White House in Washington, Monday, April 15, 2013, following the explosions at the Boston Marathon. (AP Photo/Charles Dharapak)

In this image from video provided by WBZ TV, spectators and runners run from what was described as twin explosions that shook the finish line of the Boston Marathon, Monday, April 15, 2013, in Boston. Two explosions shattered the euphoria of the Boston Marathon finish line on Monday, sending authorities out on the course to carry off the injured while the stragglers were rerouted away from the smoking site of the blasts. (AP Photo/WBZTV) MANDATORY CREDIT

The American flag on the East Front of the U.S. Capitol is lowered to half-staff on Capitol Hill, Monday, April 15, 2013, in Washington, to honor the victims of the explosions at the Boston Marathon. (AP Photo/Alex Brandon)

President Barack Obama pauses as he begins to speak in the James Brady Press Briefing Room at the White House in Washington, Monday, April 15, 2013, following the explosions at the Boston Marathon. (AP Photo/Charles Dharapak)

(AP) ? A stony-faced President Barack Obama declared that those responsible for the explosions at the Boston Marathon "will feel the full weight of justice," but he urged a nervous nation not to jump to conclusions. Top lawmakers declared the deadly incident an act of terrorism, and a White House official said it was being treated that way.

Obama, speaking from the White House late Monday, pointedly avoided using the words "terror" or "terrorism," saying officials "still do not know who did this or why." However, a White House official later said the incident at the famous race was being treated as terrorism.

"We will find out who did this. We'll find out why they did this," Obama said in his brief statement. "Any responsible individuals, any responsible groups, will feel the full weight of justice."

Authorities say at least three people were killed and more than 140 injured during two explosions near the finish of the marathon. A senior U.S. intelligence official said two other explosive devices were found near the end of the 26.2-mile course.

The president said the government would increase security around the United States "as necessary," but he did not say whether his administration thought the incident was part of a larger plot.

Following a briefing with intelligence officials, Maryland Rep. C.A. Dutch Ruppersberger, top Democrat on the House Intelligence Committee, said most urban areas in the country would be under high alert.

"We want to make sure this is not a pattern," Ruppersberger said, adding that people could expect to see greater security at public areas such as train stations, ports and baseball games.

On Capitol Hill, Sen. Dianne Feinstein, D-Calif., told reporters that she had been in contact with U.S. intelligence agencies and it was her understanding "that it's a terrorist incident." Feinstein, who chairs the Senate Intelligence Committee, said the officials reported no advance warning that "there was an attack on the way."

California Republican Rep. Ed Royce, chairman of the House Foreign Affairs Committee, said it was a "terrorist attack" and "yet another stark reminder that we must remain vigilant in the face of continuing terrorist threats."

The White House said Obama refrained from publicly calling the attacks terrorism because it was early in the investigation and the perpetrators were unknown. But the official said any time there is an event with multiple explosions going off at the same time and aimed at hurting people, the administration considers that terrorism.

The official spoke on condition of anonymity because the investigation was still under way and the official was not authorized to be quoted by name.

The president was briefed on the incident Monday by several senior administration officials, including FBI Director Robert Mueller and Homeland Security Secretary Janet Napolitano. He also spoke with Massachusetts Gov. Deval Patrick and Boston Mayor Tom Menino and pledged to provide whatever federal support was needed.

Additionally, the president spoke with Republican and Democratic leaders on Capitol Hill, saying that "on days like this, there are no Republicans or Democrats, we are Americans united in our concern for our fellow citizens."

The Secret Service quickly expanded its security perimeter at the White House. The agency shut down Pennsylvania Avenue and cordoned off the area with yellow police tape. Several Secret Service patrol cars blocked off the entry points to the road.

The White House was not on lockdown, and tourists and other onlookers were still able to be in the park across the street from the executive mansion.

The Federal Aviation Administration created a no-fly zone over the site of the two explosions and briefly ordered flights bound for Boston's Logan International Airport held on the ground at airports around the country.

Security for outbound international flights has been increased, federal law enforcement officials said. Numerous runners were expected to leave Boston after the race, and the additional security was added as a precaution, the officials said. Those officials requested anonymity because they weren't authorized to speak publicly.

As authorities grappled to fill in the pieces of what happened, Obama said Boston and its "tough and resilient" residents would "pull together, take care of each other and move forward as one proud city."

In Washington Monday night, the American flag over the Capitol was flying at half-staff.

___

Associated Press writers Nedra Pickler, David Espo, Jim Abrams, Joan Lowy and Jim Kuhnhenn contributed to this report.

___

Follow Julie Pace at http://twitter.com/jpaceDC

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/89ae8247abe8493fae24405546e9a1aa/Article_2013-04-15-US-Boston-Marathon-Explosions-Obama/id-7ac74a927aa6413b8b395f7304536543

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Tuesday, April 16, 2013

Marks & Spencer lingerie chief exits after three months

Apr 15 (Reuters) - Leading money winners on the 2013 PGATour on Monday (U.S. unless stated): 1. Tiger Woods $4,139,600 2. Brandt Snedeker $3,137,920 3. Matt Kuchar $2,442,389 4. Adam Scott (Australia) $2,100,469 5. Steve Stricker $1,935,340 6. Phil Mickelson $1,764,680 7. Dustin Johnson $1,748,907 8. Jason Day $1,659,565 9. Hunter Mahan $1,553,965 10. Keegan Bradley $1,430,347 11. Charles Howell III $1,393,806 12. John Merrick $1,375,757 13. Russell Henley $1,331,434 14. Michael Thompson $1,310,709 15. Kevin Streelman $1,310,343 16. Bill Haas $1,271,553 17. Billy Horschel $1,254,224 18. ...

Source: http://news.yahoo.com/marks-spencer-lingerie-chief-exits-three-months-191149209--finance.html

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Engineers craft new material for high-performing 'supercapacitors

Apr. 15, 2013 ? Taking a significant step toward improving the power delivery of systems ranging from urban electrical grids to regenerative braking in hybrid vehicles, researchers at the UCLA Henry Samueli School of Engineering and Applied Science have synthesized a material that shows high capability for both the rapid storage and release of energy.

In a paper published in the April 14 issue of the journal Nature Materials, a team led by professor of materials science and engineering Bruce Dunn defines the characteristics of a synthesized form of niobium oxide with a great facility for storing energy. The material would be used in a "supercapacitor," a device that combines the high storage capacity of lithium ion batteries and the rapid energy-delivery ability of common capacitors.

UCLA researchers said the development could lead to extremely rapid charging of devices, ranging in applications from mobile electronics to industrial equipment. For example, supercapacitors are currently used in energy-capture systems that help power loading cranes at ports, reducing the use of hydrocarbon fuels such as diesel.

"With this work, we are blurring the lines between what is a battery and what is a supercapacitor," said Veronica Augustyn, a graduate student in materials science at UCLA and lead author of the paper. "The discovery takes the disadvantages of capacitors and the disadvantages of batteries and does away with them."

Batteries effectively store energy but do not deliver power efficiently because the charged carriers, or ions, move slowly through the solid battery material. Capacitors, which store energy at the surface of a material, generally have low storage capabilities.

Researchers on Dunn's team synthesized a type of niobium oxide that demonstrates substantial storage capacity through "intercalation pseudocapacitance," in which ions are deposited into the bulk of the niobium oxide in the same way grains of sand can be deposited between pebbles.

As a result, electrodes as much as 40 microns thick -- about the same width as many commercial battery components -- can quickly store and deliver energy on the same time scales as electrodes more than 100 times thinner.

Dunn emphasizes that although the electrodes are an important first step, "further engineering at the nanoscale and beyond will be necessary to achieve practical devices with high energy density that can charge in under a minute."

Co-authors of the study included Dunn; Sarah Tolbert, a UCLA chemistry and biochemistry professor; Augustyn and fellow UCLA Engineering graduate student Jong Woung Kim; Cornell University professor H?ctor Abru?a; Cornell postgraduate researcher Michael Lowe; Patrice Simon, a professor at the Universit? Paul Sabatier in Toulouse, France; and graduate student J?r?my Come and researcher Pierre-Louis Taberna of the Universit? Paul Sabatier.

The research from the Energy Frontier Research Centers, UCLA-based Molecularly Engineered Energy Materials and Cornell-based Energy Materials Center, was supported by the U.S. Department of Energy Office of Basic Energy; a European Research Council grant supported researh from Universit? Paul Sabatier.

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Story Source:

The above story is reprinted from materials provided by University of California - Los Angeles. The original article was written by Bill Kisliuk.

Note: Materials may be edited for content and length. For further information, please contact the source cited above.


Journal Reference:

  1. Veronica Augustyn, J?r?my Come, Michael A. Lowe, Jong Woung Kim, Pierre-Louis Taberna, Sarah H. Tolbert, H?ctor D. Abru?a, Patrice Simon, Bruce Dunn. High-rate electrochemical energy storage through Li intercalation pseudocapacitance. Nature Materials, 2013; DOI: 10.1038/nmat3601

Note: If no author is given, the source is cited instead.

Disclaimer: Views expressed in this article do not necessarily reflect those of ScienceDaily or its staff.

Source: http://feeds.sciencedaily.com/~r/sciencedaily/top_news/top_technology/~3/DOO8AUO1QQo/130415124813.htm

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Monday, April 15, 2013

Artist Interview: Filmmaker & Screenwriter Cillian Daly | Through My ...

Cillian Daly: Filmmaker and Overall Cool Guy

Interviewer: Kimberly Viveiros

Cillian Daly is a talented director and screenwriter living in Ireland. I was incredibly excited when he agreed to an interview with me, and even more surprised to find out so much about him through so few questions. From what I got out of him, I know he is a husband and father who juggles filmmaking and screenwriting in his busy schedule, and has an amazing work ethic. He?s passionate about his projects and once he gets an idea or vision, he never stops until he makes it come to life.

Cillian first did a Model Making & Special Effects Diploma course when he went to the National Film & Television School in Dublin. His hope was to work in the film industry by way of model making and VFX, a tiny industry in Ireland at the time. He ended up getting a job working for an architectural consultancy firm making digital models and inserting them into photographs using Photoshop.

He stayed there for four years but his love of cinema got the better of him and he left to make his first ever film; ?an appallingly bad horror movie ? it was rubbish!? (as he puts it).

It did, however, get him into the film degree course in the National Film school where he specialized in screenwriting with a minor in directing. And his eight minute graduation film cost him more than his first ill-fated feature. His graduation film is titled This Way They Came and it?s been aired on the national broadcaster in Ireland several times.

Interviewer: How did you come to realize your love of film, and what motivated you to actually become a screenwriter/director?

Cillian: My earliest cinema memory is when Return Of The Jedi was released here [Ireland] in 1983. It was shown in a local cinema as a double bill with The Empire Strikes Back. Watching the scenes on Hoth with the AT-AT?s and Snowspeeders, sandwiched between my dad and older cousin in the 3rd row: that?s what pushed me towards movies. (My cousin is now a Production Designer for film and TV, my sister is a camera person in a national TV station ? so it?s in the family!)

I wanted to do that, make those images outside my head, rather than contained in my imagination. That?s why I did model making first when I got out of school.

I had a very active imagination when I was a kid, still do! So making things up, acting out adventures on a grand scale with GI-Joe?s, and Star Wars figures, in a massive LEGO environment, during the summers after my Star Wars introduction, set me off.

My English teacher in secondary school (ages 13-18 here) always said I had a great imagination, and loved making stories up. Whenever we had to do essays, I?d be throwing in sci-fi references, weird stuff, rather than the usual everyday things. It drove him mad!

So my motivation was really a need to get these mad images out of my head, my own sort of catharsis I guess. And I?m still going!

Interviewer: When did you first start making films, and what was your first project??

Cillian: My first major film was my horror feature. My family never had 8mm cameras, or old VHS camcorders. But my dad was very much into photography and in a way he trained my eye. The first movie camera I ever got was the DV cam that I shot my feature on. I was 21. Not like Spielberg or anything! I suppose I was always writing above all else. And I read a heck of a lot. I used to read novels cover to cover in a day. Just hide away in my room, and read.?

Interviewer: How do you overcome writer?s block when writing a screenplay?

Cillian: I don?t really get writers block. If a scene gets sticky, or I become demotivated to write it I either move onto a completely different project, or I push through. Write anything as a place holder, and go back and edit it when I feel better about it. Or go play on Twitter.

Interviewer: Has screenwriting gotten easier for you over time than it was in the beginning? Or is it ?your process is still your process? and will not change?

Cillian: I guess with the continued practice of writing, writing, WRITING! it has gotten easier, at least as far as formatting because that has now become somewhat second nature. The main issue I have is putting cohesive ideas together so that they make for a compelling story, at least in my mind. I?ve learned a hell of a lot from feedback, mostly from my college peers and people I?ve met via Twitter. The thing with screenwriting, for me anyway, is that different movies can be tackled in many different ways. For the spec market, you can write in a specific style, quick, succinct, sparse with lots of white on the page, etc. But if you?re writing to direct, which my short scripts are, I can indulge myself, since I?m most likely to be the only one worrying about the description being right and clear. I?ve found it easier to differentiate between these types and edit my scripts accordingly.

To be honest, it has gotten easier. I?ve found a rhythm that I enjoy. Now I can write 18 page shorts in a few days, and get a few drafts of a feature turned over in a couple of months. Also, being married with a 2 year old son means I have to make time to write and just write in that time. So life experiences have honed my writing management?

So yes, it has gotten easier as I?ve matured, but whether it?s gotten any better content wise, is another thing entirely!

Interviewer: When you?re in-between projects, or coming up with your next idea, what are the things in life that inspire you or just kind of keep you turned on as an artist?

Cillian: I?ve usually got a few ideas going at the same time, I?m lucky in that I?ve yet to be short of any! I read a lot ? history, especially to research and develop a seed of an idea that I get, or a scene I imagine. I have a passion for science, specifically astrophysics. I was this close to doing a science degree instead of model making all those years ago!

So I read that kind of stuff, novels of all sorts. I get lots of inspiration through that, and observing life around me. I usually carry a notebook, and when I?m out shopping, in malls, in work (part time consulting) I?m writing notes and ideas, lines of dialogue, that sort of thing. I go to the cinema as much as I can too, and I?m lucky to have many good friends here in the Irish film and media industry whose work inspires me to improve and do better. And I get a lot of imagery and some crazy ideas from my dreams. I?m lucky (maybe!) that I remember pretty much all of my dreams. So I pull stuff from them. My parents and what they?ve had to deal with in life have inspired me too. And dealing with loss ? grandparents and pets, affects perspective, and I?ve used that grief and channeled it into my work, in a good way, hopefully. (I?m naturally dark when it comes to drama, I?m not content with the Hollywood happy ending, I like to keep a bit of an edge to it, keep it somewhat realistic. So life has informed that to some extent.)

Ideas are everywhere ? it?s how your voice explains them that makes you out as special I guess!

Interviewer: Do outlines play a big part in your process in the beginning of your script? Do you beat out the whole story, or just dive in after page 1?

Cillian: What I?ve done on the last few features I?m working on, and all the ones that are still in the development stage, is to start a word file that I just throw anything I come up with that might be relevant to that story into. They usually start with one scene that has no story. I?ve yet to start with a character. I don?t think I ever will. I find the images I get first are what dictates the story that comes from that. That eventually becomes big enough to construct a basic story from.

Obviously not everything I put in there makes it out, but it?s good to just free flow ideas. And they sometimes jump to other stories. Within that doc are the character description, traits, the world they inhabit etc.

From there, I print that doc, highlight the scenes, lines, dialogue I want to keep and then write them out onto index cards. Then I arrange them into story order, and number them. I?ve yet to keep the numbers in the same order ? everything changes! Then, I start with FADE IN. And then it all goes to hell in a handcart!?

But that?s the fun part.

Interviewer: Directing. Screenwriting. If you could only do one for the rest of your life, which would you choose to do??

Cillian: Screenwriting. I have to write. Can?t help it. It?s a primal need with me. It?s a solitary thing too, an escape sometimes and I like that. I do love directing, but that only happens after the writing. And knowing I could write, but have to wait around for someone else to do it, that?d wreck my head!

If I got a spec sale or a few jobs from my spec writing, I?d keep writing. In reality, it might lead to a chance to direct professionally. As it is now, I?m prepping that feature to direct my self, and a I?ve a few spec adverts I?m going to make this year, all self financed and/or crowd funded. And with every favour I?m owed cashed in!!!

So, yes, screenwriting, no doubt. It?s what I am, and I?m okay with that. For now?!

?

To find out more about Cillian Daly?s film work and to follow his growing success check out his website http://www.cilliandaly.com.

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Source: http://kimberlyviv.wordpress.com/2013/04/14/artist-interview-filmmaker-screenwriter-cillian-daly/

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Sunday, April 14, 2013

ABC's Jonathan Karl Challenges Sen. Marco Rubio On Immigration ...

Florida Senator Marco Rubio found himself on the defensive during a barrage of questions from ABC?s Jonathan Karl about his support for new immigration legislation. Rubio had to consistently explain that what he supports is not amnesty for illegal immigrants.

Rubio defended his support for the reform package as not giving anything to illegal immigrants beyond access to the legal immigration system. Many people here already won?t qualify for anything under the proposal and according to Rubio this just gives people the opportunity to be considered for legal status, it doesn?t actually grant them legal status immediately.

?It isn?t rewarded on day one, you have to pay an application fee and a fine. You?re gonna have to stay in the status and pay taxes while you prove that you?re not a public charge and you don?t qualify for federal benefits,? he said.

Several conservatives on Capitol Hill have been critical of this legislation calling it amnesty while saying that it shortchanges those who have followed the law and waited their turn in line. Rubio dismissed these charges because existing law allows those here illegal to get access to citizenship. ?The alternative we?ve created is gonna be longer, more expensive and more difficult to navigate. It would actually be cheaper for them to go home for ten years and wait for a green card,? he said.

Karl pressed him on whether this proposal is actually ?legalization first? over ?enforcement first? and said that because somebody could gain citizenship within six months it actually is ?legalization first.? ?The problem is what do you do in the meantime? While you?re doing all these enforcement mechanisms what do you do with the millions of people that are undocumented,? he said.

?What I want is to freeze the problem in place so it doesn?t get worse,? he said.

Rubio deflected Karl?s question on how the fight over immigration could impact the long term health of the Republican Party.

Watch clip below via ABC

Source: http://www.mediaite.com/tv/abcs-jonathan-karl-absolutely-grills-sen-marco-rubio-on-immigration-reform/

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BBC's Andrew Marr appears 3 months after stroke

LONDON (AP) ? Prominent BBC presenter Andrew Marr has made his first television appearance since he had a major stroke more than three months ago.

He told viewers of his show Sunday he was "frankly lucky to be alive." He said he needs extensive physical therapy to help him walk properly and be able to use his left arm.

The 53-year-old Marr said his voice and memory weren't damaged.

The former newspaper editor is one of the BBC's best known political reporters and talk show hosts.

Marr blamed overwork and excessive exercise for his stroke. He said he hopes to return to the show once his physical therapy has been completed.

He conducted two pre-recorded interviews for Sunday's show.

Source: http://news.yahoo.com/bbcs-andrew-marr-appears-3-months-stroke-155745599.html

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